Announcing the 2019 Female Playwrights ONSTAGE Fest – submit your play here!

Holy cow, we’re excited to announce our 2019 Female Playwrights ONSTAGE Festival is now accepting submissions!  We can’t wait too see what kick-ass plays/monologues get shared with us this year!  Please make sure you read the following submission guidelines before submitting – our submission window closes Aug. 15 2018.


Female Playwrights ONSTAGE Festival Submission Guidelines:

  • Playwrights must be female/identify as female
  • Plays/monologues must be less than 10 minutes in length.  (8 minutes or less is even better)
  • Plays need to fit the festival theme.
  • By submitting to our festival, you agree to participate in Little Black Dress INK’s unique Peer Review process.
    • You *may* submit up to 3 pieces – BUT, every submission adds you to another peer review group, so make sure you have time to make the added commitment. This means…
      • If you enter 1 play/monologue, you will be asked to read/evaluate 10 plays/monologues
      • If you enter 2 plays/monologues, you will be put into two review groups, meaning you will be asked to read/evaluate 20 plays/monologues.  (3 submissions – the MAX = 30 plays/monologues to read/evaluate)
  • We love unique, colorful, messy, and unusual plays.  We love monologues.  We also adore short 10-minute playlets comprised of multiple scenes.  We’ve been doing this for 8 years now, so don’t be afraid to surprise us with plays we may not have seen before.  And above all, have fun!
  • Now that you’ve read our guidelines, click HERE to access our submission form!

*Remember, we will only be accepting plays from July 1st – Aug 15th,
so make sure you get your work in soon.*

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ONSTAGE 2018: Spotlight on Imagination Theatre

Every  year I look forward to our Partner Producer roll-call process!  We’ve had the good fortune to work with so many awesome theatre companies and producers, that I almost can’t believe it.  This year we have quite a few new partners to cheer on and thank – so we’ll be posting “Spotlight On…” series to give them the applause they deserve!

We have several new Partner Producers this year, which floods me with excitement, and  Imagination Theatre is one of them.  Not only are they bringing ONSTAGE plays to Wisconsin for the first time, but they’re putting the ONSTAGE reading itself to double-use!  In addition to taking place on International Women’s Voices Day, Imagination’s ONSTAGE reading will also collect donations for the Milwaukee Women’s Center.  I LOVE it!  Women’s voices making a difference and creating multiple opportunities for positive impact = kind of everything we’re hoping for!  You can learn more about Imagination Theatre and see the list of plays they’ll be presenting this Sunday, Jan 21st, below.

Imagination Theatre raises awareness of social issues and amplifies the voices of marginalized groups through theatre. Our goal is to create an inclusive, community-centric environment that supports local artists, inspires our diverse community, and sheds light on the issues it faces.

“We have brought quality performances to our audiences over the past 10 years. We also feel that there are many stories that need to be told and can give a voice to those who may not always be heard. Theatre can change the world. It can alter our views and it can make us ponder and question. This kind of thoughtful, provocative theatre is what we hope to bring to our audiences for many years to come!” – Imagination Theatre

Imagination Theatre will be presenting the following plays at 5pm on January 21st at Next Act Theatre’s Performance Space:

  • Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA
  • Peggy, by Paula Goldberg – Dallas, TX
  • Period Piece, by Esther Marcella Hoffmann – Mankato, MN
  • Happy Single Me, by Victoria Goring – Los Angeles, CA
  • Performance Review, by Nedra Pezold Roberts – Atlanta, GA
  • This Noise, by Doc Andersen-Bloomfield – Oxford, England, UK
  • CHERCHEZ LA FEMME, by Julia Pascal – London, England, UK
  • Our Golden Years, by Sally Stubbs – Vancouver, BC, Canada
  • Camping Out, by Anne Flanagan – Los Angeles, CA
  • No History, by  Susan Goodell – Weston, CT

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ONSTAGE 2018: Spotlight on the Los Angeles Female Playwrights Initiative

Every  year I look forward to our Partner Producer roll-call process!  We’ve had the good fortune to work with so many awesome theatre companies and producers, that I almost can’t believe it.  This year we have quite a few new partners to cheer on and thank – so we’ll be posting “Spotlight On…” series to give them the applause they deserve!

It’s no secret that I’m a fan of the Los Angeles Female Playwrights Initiative!  Created to address gender parity imbalances in LA, the organization has been a huge supporter of the ONSTAGE project from the start.  For the past few years, the LAFPI has presented readings of both semi-finalists and finalists at Samuel French Bookshop under the enthusiastic leadership of LAFPI co-creator (and ONSTAGE alum) Jennie Webb.  I absolutely LOVE these readings.  Not only is it super exciting to have these plays read at freaking Samuel French, but LAFPI members and supporters are all kinds of awesome and enthusiastic – and their is almost always wine!

So, if you’re in LA this weekend, I suggest you get yourself to Samuel French Bookshop for what is going to be a super fun and feisty afternoon of new work!  And in the meantime, you can learn more about the LAFPI below.

The Los Angeles Female Playwrights Initiative is an LA-based movement working to ensure that women playwrights are fairly represented on local stages, and beyond.  We encourage the involvement of theatermakers and theatergoers who support our goals. We also aim to connect female playwrights living in Los Angeles to other women theater artists, organizations, and the theater community here in LA.  We’re here to support plays by women in Los Angeles, and also the theaters, collaborators and producers who are putting them onstage.  If you’re a female playwright, we want to promote you, help connect you with other theater artists, and be a springboard to facilitate new projects and ideas.  Whether you’re a playwright, theatermaker or theatergoer – male or female – join forces with us!

The LAFPI will be presenting the following plays at 2pm on January 21st at Samuel French Bookshop:

  • Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA
  • Happy Single Me, by Victoria Goring – CA
  • The Potato and the Wax, by Chelsea Sutton – Studio City, CA
  • Unstageable, by Lila Dupree – Los Angeles, CA
  • Peggy, by Paula Goldberg – Dallas, Texas
  • Performance Review, by Nedra Pezold Roberts – Atlanta, Georgia
  • One Loud Little Chicken, by Nancy Cooper Frank – San Francisco, CA
  • Shoes, by Jen Huszcza – Los Angeles, CA
  • Camping Out, by Anne Flanagan – Los Angeles, CA

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ONSTAGE 2018: Spotlight on Tomorrow’s Theatre Tonight & The Artist’s Path

Every  year I look forward to our Partner Producer roll-call process!  We’ve had the good fortune to work with so many awesome theatre companies and producers, that I almost can’t believe it.  This year we have quite a few new partners to cheer on and thank – so we’ll be posting “Spotlight On…” series to give them the applause they deserve!

The ONSTAGE Festival always wraps with a final production in my home-town of Prescott, AZ.  Sometimes I fly in just for production week (woof!) and other times, I’m able to schedule it for a window of time in which I’ll be around long enough to enjoy the visit and even to direct a few of the pieces myself.  (Oh, who am I kidding?  Even when I’m not in town, I wind up directing at least a few of the pieces via Skype!  That which does not kill us only makes us stronger…)  But I’ve got to give a HUGE shout out to Micki Shelton, an ONSTAGE alum, who last year decided to co-produce one of our semi-finalist readings with ONSTAGE alum Amber Bosworth, AND direct her own play in the final line-up.  This year, she bravely took on the task of producing a reading for us and will be directing three of the readings herself – so, she’s kind of kicking some ass!  You can read more about the organizations Micki is affiliated with/the organizations sharing presenting credit for our Prescott reading below.

Since 2007, Tomorrow’s Theatre Tonight has been Prescott’s only organization devoted solely to promoting Arizona playwrights and their original works. Presenting readings before live audiences, its purpose has always been to provide local playwrights the opportunity to present their scripts, hear constructive criticism, and create fresh drafts of their works. In 2017, ‘TTT’ broadened its mission to include occasional readings of plays by playwrights for the express purpose of presenting female viewpoints and critical, contemporary ideas.

The Artist’s Path is an organization dedicated to artists in all mediums. It explores the role of the artist in society, asking whether the artist can create substantive change, and if so, how. Since its inception, ‘Path’ has examined the role of theatre, film, music, photojournalism, and visual art, not only through those mediums but also through the work of academics laboring in those fields. According to its founder Gail Mangham, “The artist tackles big questions: Why are we here? What gives life meaning? What makes life worth living? The artist spurs us to laugh, cry, think, wonder, change, and sometimes act.”

Tomorrow’s Theatre Tonight and The Artist’s Path will be presenting the following readings on Jan 21 at 2pm in the Founders Room at the Downtown Prescott Public Library:

  • Cherchez La Femme by Julia Pascal – London, England
  • Exceeding the Purchasable Calories by Rhea MacCallum – Downey, California
  • Jitterbug by Micki Shelton – Prescott, Arizona
  • Performance Review by Nedra Pezold Roberts – Atlanta, Georgia
  • Tax Date by Julieta Vitullo – Indianola, WA
  • The Bees Are Watching by C.J. Ehrlich – Chappaqua, New York
  • Out to Pasture by Melanie Ewbank – Prescott, Arizona
  • Unstageable by Lila Dupree – Los Angeles, CA

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ONSTAGE is celebrating International Women’s Voices Day!

We are super stoked so many of our Partner Producers decided to join us in presenting  readings of our 2018 ONSTAGE semi-finalists for International Women’s Voices Day, Jan 21st, 2018!  Here’s a list of which plays are being read in each location:   Bemidji, MN – Mask and Rose Women’s Theatre Collective & Bemidji State University presenting

  • The Bees Are Watching, by C.J. Ehrlich – Chappaqua, NY
  • Peggy, by Paula Goldberg – Dallas, Texas
  • Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA
  • One Loud Little Chicken, by Nancy Cooper Frank – San Francisco, CA
  • Only One Letter Short, by Karen Loseff Lothan – Chicago, Illinois
  • Recipe for a Play, by Rebecca Zelanin – Grove City, Ohio

Columbus, OH – Red Herring Productions presenting

  • Color ED, by Philana Omorotionmwan – Athens, OH
  • Peggy, by Paula Goldberg – Dallas, Texas
  • No History, by Susan Goodell – Weston CT
  • Only One Letter Short, by Karen Loseff Lothan – Chicago, Illinois
  • Performance Review, by Nedra Pezold Roberts – Atlanta, Georgia
  • Recipe for a Play, by Rebecca Zelanin – Grove City, Ohio
  • Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA
  • Virtuous Reality, by Hortense Gerardo – Boston/MA

Milwaukee, WI – Imagination Theatre presenting

  • Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA
  • Peggy, by Paula Goldberg – Dallas, TX
  • Period Piece, by Esther Marcella Hoffmann – Mankato, MN
  • Happy Single Me, by Victoria Goring – Los Angeles, CA
  • Performance Review, by Nedra Pezold Roberts – Atlanta, GA
  • This Noise, by Doc Andersen-Bloomfield – Oxford, England, UK
  • Cherchez La Femme, by Julia Pascal – London, England, UK
  • Our Golden Years, by Sally Stubbs – Vancouver, BC, Canada
  • Camping Out, by Anne Flanagan – Los Angeles, CA
  • No History, by  Susan Goodell – Weston, CT

Los Angeles, CA – Los Angeles Female Playwrights Initiative presenting

  • Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA
  • Happy Single Me, by Victoria Goring – CA
  • The Potato and the Wax, by Chelsea Sutton – Studio City, CA
  • Unstageable, by Lila Dupree – Los Angeles, CA
  • Peggy, by Paula Goldberg – Dallas, Texas
  • Performance Review, by Nedra Pezold Roberts – Atlanta, Georgia
  • One Loud Little Chicken, by Nancy Cooper Frank – San Francisco, CA
  • Shoes, by Jen Huszcza – Los Angeles, CA
  • Camping Out, by Anne Flanagan – Los Angeles, CA

Magnolia, AR – Little Black Dress INK presenting

  • Period Piece, by Esther Marcella Hoffmann – Mankato/MN
  • Pulling A Rabbit, by Sharon Goldner – Baltimore, MD
  • Life Lines, by Donna Hoke – East Amherst, NY
  • Coat of Gold, by Susan Jackson – San Francisco, CA
  • Shoes, by Jen Huszcza – Los Angeles, CA
  • Virtuous Reality, by Hortense Gerardo – Boston/MA
  • Out To Pasture, by Melanie Ewbank – Prescott, AZ
  • One Loud Little Chicken, by Nancy Cooper Frank – San Francisco, CA

Prescott, AZ – Tomorrow’s Theatre Tonight & The Artists’ Path presenting

  • Cherchez La Femme by Julia Pascal – London, England
  • Exceeding the Purchasable Calories by Rhea MacCallum – Downey, California
  • Jitterbug by Micki Shelton – Prescott, Arizona
  • Performance Review by Nedra Pezold Roberts – Atlanta, Georgia
  • Tax Date by Julieta Vitullo – Indianola, WA
  • The Bees Are Watching by C.J. Ehrlich – Chappaqua, New York
  • Out to Pasture by Melanie Ewbank – Prescott, Arizona
  • Unstageable by Lila Dupree – Los Angeles, CA

We’ll have additional readings with some more Partner Producers in March/April – so stay connected with us for more updates on how you can hear/see these fantastic plays!

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Last chance to see our ONSTAGE 2017 Festival in action!

There are a couple of TRULY awesome people in Los Angeles – well, there are more than just a couple, but today we’re focusing on one awesome couple in particular: Katherine James and Alan Blumenfeld!

Katherine is a multiple-times ONSTAGE alum/director/and actor, and her husband, Alan, is an incredible actor who has shared his talents in a number of ONSTAGE readings!  They also happen to be two of the nicest, most joyful, and enthusiastic human beings on the planet – so to have them helming our final reading of 2017 ONSTAGE plays is, like, truly the best kind of partnership.

The final line-up for our 2017 ONSTAGE festival was probably one play too long, but I couldn’t help myself… so here are the 12 winning plays/monologues you can look forward to hearing at 7pm on Jan 15th (in conjunction with International Women’s Voices Day… a bit early) at the Zephyr Theatre.  The reading is FREE, and sure to be a great night!

Boxes are Magic, by Allie Costa
Spark, by Barbara Blumenthal-Ehrlich
The Worst of All Evils, by Philana Omorotionmwan
Zero-Six-Two-Eight (monologue), by Katherine James
Evolution Fast Track, by Micki Shelton
Three Ghosts of Elizabeth Bathory, by Anne Flanagan
Co-workers, by C.J. Ehrlich
Linda (monologue), by Diana Burbano
Hot/Mess by Jen Huszcza
Mommy Knows Best (monologue), by Tiffany Antone
Fruit Salad of Shame, Ellen Davis Sullivan
Educated Fleas Do It, by Karen Loseff Lothan

Stay in touch with us via Facebook and Twitter for more info about our multi-state Jan 21st reading of 2018 ONSTAGE semi-finalists!

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ONSTAGE 2018: Spotlight on Bemidji State University & Mask and Rose Women’s Theatre Collective

Every  year I look forward to our Partner Producer roll-call process!  We’ve had the good fortune to work with so many awesome theatre companies and producers, that I almost can’t believe it.  This year we have quite a few new partners to cheer on and thank – so we’ll be posting “Spotlight On…” series to give them the applause they deserve!

This week we’re celebrating Bemidji State University & Mask and Rose Women’s Theatre Collective in Bemidji, MN, who will be co-presenting a reading of semi-finalists on Jan 21st (in connection with International Women’s Voices Day!)

Bemidji State University

The city of Bemidji is the first city on the Mississippi River and sits on Lake Bemidji, originally named bemijigamaa, which in Ojibwe means “a lake with crossing waters.” At BSU we strive to create an innovative, interdisciplinary and highly accessible learning environment. We promote service to others, preservation of the earth, and respect and appreciation for the diverse peoples of our region and world.

Although BSU doesn’t have a theatre program, the University produces an annual Madrigal Dinner and an annual Opera, as well as a number of new play development events in partnership with community and professional regional theatre organizations. It is our hope that we will be able to expand these collaborations to become a regional hub for the development of new plays created by a variety of diverse peoples and voices.

The Mask and Rose Women’s Theater Collective

The Mask and Rose Women’s Theater Collective is a nonprofit 501(c)3 organization dedicated to supporting, empowering, and creating opportunities for women in the performing arts. Mask and Rose seeks to ignite broad public recognition of the essential contribution women have made to the worlds of theatre and dramatic literature. The second primary mission is to offer youth in the region opportunities to be a part of quality theatre experiences through creating children’s productions. The Mask and Rose Women’s Theater Collective was founded in 2006 by Cate Belleveau, Artistic Director and Patty Lester, Managing Director.

To learn more about new play development at Bemidji State University, please contact Season Ellison (sellison@bemidjistate.edu). To learn more about the Mask and Rose Women’s Theater Collective, please contact maskrose57@gmail.com or visit www.maskrose.com.

Bemidji State University & Mask and Rose Women’s Theatre Collective will be reading the following plays in the BSU blockbox on Jan 21st at 2pm:

The Bees Are Watching, by C.J. Ehrlich – Chappaqua, NY
Peggy
, by Paula Goldberg – Dallas, Texas
Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA
One Loud Little Chicken
, by Nancy Cooper Frank – San Francisco, CA
Only One Letter Short
, by Karen Loseff Lothan – Chicago, Illinois
Recipe for a Play
, by Rebecca Zelanin – Grove City, Ohio

Congratulations to these incredible playwrights, and a HUGE thank you to Bemidji State and Mask and Rose Women’s Theatre Collective!

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ONSTAGE 2018: Spotlight on Red Herring Productions

Every  year I look forward to our Partner Producer roll-call process!  We’ve had the good fortune to work with so many awesome theatre companies and producers, that I almost can’t believe it.  This year we have quite a few new partners to cheer on and thank – so we’ll be posting “Spotlight On…” series to give them the applause they deserve.

Up first is Red Herring Productions in Columbus, OH.

Red Herring Productions is dedicated to creating artistic works that are profound, provocative, and professional while providing artists with the resources to surpass their own boundaries and enrich the broader community. We perform primarily in Franklinton Playhouse whose mission is to serve as an incubator space for emerging performance artists, becoming a Columbus, Ohio destination point, stimulating community growth and driving economic development. With Red Herring’s Pay-What-You-Want policy for its productions and in conjunction with Art of Yoga, who shares the playhouse space, we take the arts and movement into our neighborhood, offering free movement classes in schools and community centers near us.

We got connected to Red Herring Productions through playwright Rebecca Zelanin who responded with a hearty “YES!” when we asked if any of this year’s playwrights wanted to put on their producing boots as well.  Huzzah, Rebecca – YOU ROCK!

Red Herring will be reading the following pieces on January 21st at 2pm at the Franklinton Playhouse in Columbus, OH.

Color ED, by Philana Omorotionmwan – Athens, OH
Peggy, by Paula Goldberg – Dallas, Texas
No History, by Susan Goodell – Weston CT
Only One Letter Short, by Karen Loseff Lothan – Chicago, Illinois
Performance Review, by Nedra Pezold Roberts – Atlanta, Georgia
Recipe for a Play, by Rebecca Zelanin – Grove City, Ohio
Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA
Virtuous Reality, by Hortense Gerardo – Boston/MA

Congratulations to our awesome playwrights, and a huge Thank You! to Rebecca, Red Herring Productions, and Franklinton Playhouse!

 

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Announcing our 2018 ONSTAGE Semi-Finalists!

Wowzers… The 2018 Female Playwrights ONSTAGE Festival: Volume Control line-up is super awesome!   We have a few familiar faces, but also a whole lot of new names, and even a few out-of-country playwrights on the list!  The quality of work this year is seriously impressive, and I know our Partner Producers are going to have a heck of time trying to narrow down which pieces they’ll present at their readings this Spring!

Speaking of Partner Producers, the next stage of our exciting 2018 ONSTAGE Festival will see readings of plays below at various locations across the country – some of which will be happening on International Women’s Voices Day in connection with Women’s Theatre Voices Festival.

We’ll post more about our Partner Producers soon, but till we do, please help the FABULOUS Female Playwrights below celebrate their awesome work with all the shout out and and high-cyber-fives you can muster!  #FemalePlaywrightsROCK!

SEMI-FINALISTS

Camping Out, by Anne Flanagan – Los Angeles, CA

Cherchez La Femme, by Julia Pascal – London, England.

Coat of Gold, by Susan Jackson – San Francisco, CA

Color ED, by Philana Omorotionmwan – Athens, OH

Exceeding The Purchasable Calories, by Rhea MacCallum – Downey, CA

Happy Single Me, by Victoria Goring – CA

Jitterbug, by Micki Shelton – Prescott, AZ

Life Lines, by Donna Hoke – East Amherst, NY

No History, by Susan Goodell – Weston CT

One Loud Little Chicken, by Nancy Cooper Frank – San Francisco, CA

Only One Letter Short, by Karen Loseff Lothan – Chicago, Illinois

Our Golden Years, by Sally Stubbs – Vancouver, BC, Canada

Out To Pasture, by Melanie Ewbank – Prescott, AZ

Peggy, by Paula Goldberg – Dallas, Texas

Performance Review, by Nedra Pezold Roberts – Atlanta, Georgia

Period Piece, by Esther Marcella Hoffmann – Mankato/MN

Pulling A Rabbit, by Sharon Goldner – Baltimore, MD

Recipe for a Play, by Rebecca Zelanin – Grove City, Ohio

Shoes, by Jen Huszcza – Los Angeles, CA

Tax Date, by Julieta Vitullo – Indianola WA

The Bees Are Watching, by C.J. Ehrlich – Chappaqua, NY

The Potato and the Wax, by Chelsea Sutton – Studio City, CA

This Noise, by Doc Andersen-Bloomfield – Oxford, England, UK

Unstageable, by Lila Dupree – Los Angeles, CA

Virtuous Reality, by Hortense Gerardo – Boston/MA

HONORABLE MENTIONS

Food is Love, by Katherine Koller – Edmonton, Alberta, Canada

Karaoke Grandma, by Judith Pratt – New York

Margaret Knight’s Battle Rap; 1871, by Anne Flanagan – Los Angeles, CA

Ten Ways to Wear Red Lipstick, by Sharon Goldner – Baltimore, MD

The Letter, by Sage Martin – Louisville, KY

Tokyo Love Hotel, by Christine Croyden – Melbourne Australia

Being Mortal, by Doc Andersen-Bloomfield – Oxford, England, UK

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2018 ONSTAGE Festival: Volume Control Wants to Head Your Way!

After one of the busiest semesters of my life, I’m proud to announce that this year’s peer review process is underway!  Phew!

One of the AWESOME challenges of running Little Black Dress INK is that LBDI is essentially me + a team of awesome Partner Producer collaborators.  Without these amazing people, I would only be creating lists of amazing new plays – not getting them read all over the country.

Which brings me to the following:  It’s time to start recruiting Partner Producers for our 2018 Female Playwrights ONSTAGE Festival!

And we have some awesome reading opportunities – so if you’re a fan of female playwrights, and you love sharing new work, I hope you’ll consider joining us in bringing this year’s ONSTAGE festival to a theatre, bar, art gallery, park – the possibilities are nearly endless – near you!

What is expected of Partner Producers?

  • Once you’ve declared your intention to participate, LBDI will make our list of 25 semi-finalist plays available for you to select a line-up of short plays/monologues from.
  • LBDI will provide poster art, program templates, and press-release templates for you to customize to your event!
  • We also provide social media support and link to your company on our page!
  • How you structure your reading is up to!  We’ve had readings in bars, galleries, theatres, and parks (this one was a “Brown-Bag Reading” where guests were invited to pack a lunch, and producers brought popsicles and ice-cream cups!) So there’s really no wrong way to go!
  • Once plays are selected, we’ll connect you with the playwrights and begin promoting your event!

When do readings take place?

  • We have the opportunity to share this year’s semi-finalist readings on International Women’s Voices Day, January 21st 2018.  This event is being organized by Women’s Voices Theatre Festival in DC.  It’s a fantastic way to participate in both this year’s ONSTAGE Festival and to commemorate last year’s Historic Women’s March on DC in solidarity with other theatres across the nation!
  • BUT – If IWVD is too soon for you to organize your reading (or if you already have something planned for that event) – you can also present a semi-finalist reading in the month of March as part of Women’s History Month!

We’d love to see this year’s semi-finalists shared in your city!  Please don’t hesitate to contact me to sign up, or with questions.  Let’s get these new plays heard in as many corners of the country as possible!

#FemalePlaywrightsROCK!

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